Worked through the pain, and the submission of the 2 paintings has been made, with 1 day to spare. What a relief! Now to wait until the 12th to hear whether any have been accepted. Here's hoping.
I have 2 paintings which are nearing completion, and I wanted to flag them to you in case you are interested in possibly acquiring either, before they are submitted to the gallery or Art Show. For more information about the painting(s), pricing and payment options, send your inquiry through the form at the bottom of the 'For Sale' page:
* Please note that you are under no commitment when sending your initial inquiry. Confirmation will only completed once you have the information that you require, and you make arrangement for payment(s). Inquiries and potential sale(s) will be on a first come first serve basis.
"Uncharted waters and unexpected doorways, a journey of faith and trust"
I received copies of both the Post Card and Business Card for the upcoming First Nations Of Faith on June 30th at the Strathmore Rodeo Grounds. I was asked for permission to use the image of the the Siksika Sacred Heart icon for the Festival.
The Special Offer has been extended for a few more days as I need to find good homes for these two pieces and make room for more space ASAP. The first is a Giclee paper print of the Ancestor painting, and the other is a mixed media on canvas 'Enduring Faith'.
Note: There are no watermarks on the pieces.
Needing to make space for the next projects, I needed to pack the two icons even though there is no confirmed transport date yet. With it being Holy Week, it will likely not be until after Easter. But in the meantime, they are all packed and ready. (You can see them leaning in the corner on the left.)
I also had to pack the 'Welcome World' painting as it is being picked up tomorrow, and working its way to its home in Powell River.
I had another productive day today in that I was able to get the drafting and enlarging done for both the new Siksika Sacred Heart Of Mary icon, and a new totem canvas of the Eagle/Raven Shield. The Eagle/Raven was calling strongly. I feel like that journey that I took with it back in 2015, just in time for the Silk Purse Solo Show, ended abruptly. I just completed it in time for the show, and it sold. So I didn't get much quiet time with it. It was also the last painting from that year and a half that I had been working on the series full-time, and it somehow feels right to return to that point and let the totem guide once again.
I've also hung the large Brown Bear on my wall, even though it isn't complete yet. But it was safer being on my wall while it waits to go back on the easel. If you happen to be interested in it, it just want to contact, please feel free to use my Contact Form on the website.
The pieces that I have left in my possession and are immediately available through a special eTransfers price are as follows:
PLEASE CONTACT ME THROUGH MY CONTACT TO CONFIRM DETAILS OF PURCHASE AND SHIPPING, BEFORE SENDING ME YOUR eTRANSFER.
These three pieces are available at JD Stevenson Gallery in Chemainus BC.
I received permission from both icon commissions to take a few days to complete one of the two totem series paintings, as I really need to present one to the gallery ASAP. (The other large canvas of the 'Brown Bear' will be completed once the 2 icons are done.) Gallery sales never happen right away, and the artist always sees the sea of red in the home budget coming around every corner. With the original icon commissions, the time required inevitably exceeds the cost projections, with research and changes.
The 'Future Generations' section is from the "Seventh Generation Pole / Honour of the Children Pole" at the Capilano Suspension Bridge Park. It was designed by James Lewis and carved by Wayne Carlick in 1995 and "raised in 1997, to honour all the artists and carvers in the past, the ones who continue today and those who will pass on their culture in the future".
The section used for this canvas is from the the second row from the bottom, which are the children of the future. (The bottom row is of the children of the past.)
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In other news, the two icons of Rose Prince (Rose Of The Carrier) are developing and will be completed within the next few weeks.
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And while all this is happening, I've just received confirmation that my contact with the Siksika Nation is able to continue with commissioning the second icon which is to be the pair to the recent Siksika Sacred Heart Icon. This new commission of the Sacred Heart of Mary will be of the same size and within the same Siksika context. I look forward to this further collaboration.
It was a very nice surprise to receive the January 1st edition of the BC Catholic today, only to find that the front cover was of the icon of Our Lady Of Canada: a full colour page. I'm not sure who spearheaded that one but it was very touching.
This edition had a natural January 1st focus on the few dedications to Our Lady through the Canadian 150th. The icon itself was not part of these recent dedications. as It was written in 1995, placing Canada under Her care in that same year. But it seems like the icon became unknown to the Catholic Conference Of Bishops. It was commissioned by then Father Joseph Royer and initially installed at Holy Cross Ukrainian Catholic Church in Edmonton, Alberta where it was to be readily accessible to all Canadians. It later followed His Grace Joseph Royer to All Saints Orthodox Cathedral, also in Edmonton.
These two paintings are hoping to be in their forever homes in time for Christmas.
They are waiting for you at
JD Stevenson Gallery in Chemainus
With the exception of two other completed pieces which I didn't have room for within this compilation, and 2 recent ones which I am currently working on, here is an overview of the series to date.
The following paintings are back home for the time being:
June 9 Update:
Their visit back home was shorter then expected. All but the Frog have returned to JD Stevenson Gallery in Chemainus, BC.
The Frog will be going to its new home in Winnipeg, MB
Please be advised that I've decided not to continue further with the Giclee prints for the Journeying With The Totems series. The original thought process was that they may help get the word out about the series, but in fact, input is that they are diluting the focus of the originals.
First, thank you for your continued moral support in my painting and iconography. I’m in my fourth year of trying to support my son and I through my artwork. If he old adage of it taking 5 years to get established, I am hoping that I will soon begin to manage.
Following the unforeseen turn of events with the move to the Island a year ago, I’ve clawed my way to this point, reaching the edge of a financial log jam. I have had six paintings on consignment at a gallery in Chemainus for over two months, and am in the process of finalizing 2 icon commissions (also with a First Nations theme). But with no income coming in a timely manner acceptable to the bank and utilities, I’ve reached a point where I’ve had to approach Patreon in the hope that willing donors, who support and enjoy my work, would help keep me in my studio while working on Phase 2 of my 'Journeying With The Totems' series. Even though I have quite a number of viewers for my website, and many have seen my paintings exhibitions and commissioned icons, I do not have a strong network database. It is always the challenge for an artist, trying to balance what are basically two full time jobs, being in the studio and business/marketing.
My request at this time is primarily looking for assistance in getting the word out to those who are interested in my work, and asking for your thoughts and suggestions.
Thank you for your patience, kindness and consideration.
Andre Prevost, began his work in theatre in the late 70s and in iconography in 1980 and has a large body of work in each. He has been based in Western Canada; North Vancouver, Edmonton, Winnipeg, and now back in North Vancouver. He is also currently working on a series of acrylic paintings 'Journeying with the Totems' which will be featured in 2 exhibitions in 2015.